In our music video, we are going to adopt a more abstract and alternative concept of a music video. Instead of a straight forward narrative/storyline we are going to invert our footage so all our shots are backwards, including everything in them such as people walking or cars driving. As a result of this the viewer will initially be confused towards the start of the video, posing a lot of questions however as the video goes on and reaches the end, it is revealed to the viewer the reasons behind all the previous actions the character has taken throughout the video.
The reason we are using this ‘inverted’ idea is to create an enigma within our video to secure the viewers interest. The use of showing all the events in reversing order makes the viewers question “why, what, how and when” which will therefore encourage them to watch the whole video through.
The storyline will consist of following a female character over a 24 hour period. The use of a central character in the music video gives the viewer someone to focus on and identify to, helping them understand why she has taken her chosen actions in the video.
As the song is called ‘Let this white dove sing’ it connotes possibly ideas of waiting freedom, wanting to be set free to do something you are currently restricted. Therefore I want to emphasis this in the narration of the video, and the climaxing event at then end of the video will be of the character setting her free from some kind of situation.
Other lyrics such as “you take my breath away” and “When you’re with another man I can’t bare” suggests that the song is centred on a love interest or relationship situation, we I think would be good to involve in the final event in the video.
Some other lines in the lyrics have given us more ideas for the video, such as the words “This reality ain’t right” which appears in the building up towards the end of the song. The use of the word ‘reality’ has given us the idea to make the climaxing event in the video very disorientating, using shot sharp shots and abstract angles with the camera. As well as this, because we are inverting all our shots, in these final scenes we would like to use a lot of actions that will look very effective in reverse such as throwing objects and smashing cutlery.
By using effects like this to disorientate the viewer, it will build up more anticipation and confusion in the reader to make them more involved in the video.
We have the idea of using a lot of other shots that will look very effective in reverse to give the video more dimensions and detail. Shots such as clocks put in fast motion in reverse, as this will emphasise the time shift in the video; Similarly, we are going to film the sky above a city landscape at the times of around 5pm-8pm, in order to catch the sun going down. This will also be put in fast motion. I think this would look especially effective as it will capture the movement in clouds, the turning on of some city lights as well as the movement in the sun. This again will represent the time shift as well as acting as a metaphor for changing times, as the girl is going through a change in her life.
We are, however slightly going against the conventions of music videos. This is because we are not going to involve the artist in the video, neither performing or him being a character. This is because we want the viewer’s biggest focus to be on the narration and storyline instead of what the artists looks like.
Videos we have analysed for inspiration are the following:
Modest Mouse - Little Motel.
The main inspiration we got from this is the effectiveness of the inverting and reversing of the storyline. This Video captures the journey of a woman travelling from the hospital with her son to a motel. As the video goes on, the ending reveals a shocking revelation to the audience. I think that this method of impact at the end of the video is extremely effective in capturing the audience.
Another aspect of the video that we liked was the use of padding shots that really give the video more depth as well as effective detail in reverse. These are shots such as when the woman is drawing and writing, the backwards swinging of the keys, driving and traffic in backwards. This all really catch the audiences’s eye as its something out of the norm and looks very interesting.
Finally, similar to our video, it is following one female character which leads all the narration and is the viewer’s main focus. As a result of this, the viewer begins to sympathise and relate to the character.
Coldplay - The Scientist.
This is also a video that uses inverting to create enigmas within the video. The main thing I like about this video is how effectively the climaxing event is. The use of a car crash is pretty conventional and doesn’t hold a lot of imagination, however I think it works especially well afterwards when you see the running up shots of the crash and Chris Martin and the actress laughing and joking, as they have no idea what’s coming, I think this adds the most impact and emotional involvement for the viewer.
Bittersweet Symphony by The Verve
This video does not include any inversion however the whole video is just one big long shot following Richard Ashcroft, I like this idea as it just follows his short journey and how it affects the people he’s walking alongside. I like how they use a dolly camera to follow his pace when he’s walking as the viewer’s total focus is on him and it’s the kind of shot type I would like to use when following our female character in our video.